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华为云
A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.
……斯凯勒·达文波特,Brock Powell
瑞安·雷诺兹,保罗·吉亚玛提,迈克尔·佩纳,路易斯·古兹曼,比尔·哈德尔,理查德·詹金斯,郑肯,米歇尔·罗德里格兹,玛娅·鲁道夫,本·施瓦茨,柯特伍德·史密斯,史努比狗狗,塞缪尔·杰克逊
马克·阿蒂,史蒂芬·鲍德温,克莉丝汀·约翰斯顿,简·科拉克斯基,琼·柯琳斯
格蕾·德丽斯勒,Anais,Fairweather,Ashlyn,Selich,塔拉·斯特朗,Teala,Dunn